FearGirl Anomie is dragged, unconscious and wrapped in plastic, into a seemingly deserted and unfinished sector of the Panopticon by a hulking figure in protective clothing. He begins to unwrap her, and touch her coldly, experimentally. He looms over her with a brutal, heavy tool.

FEARGIRL CYANNA wakes in the cold, echoing stillness of an abandoned institution, on a gurney covered in plastic. She is dressed in a schoolgirl uniform. This video features an extended beatdown of FearGirl by Mongoose and his female accomplice, utilizing his armored fists and knees, boots, the brutal tonfa. It finishes with FearGirl unconscious on the floor, with Mongoose and his accomplice standing over her…

In this excerpt from FEARGIRL: DOUBLE, FearGirl NIXI KO’s and binds FearGirl ANOMIE, is choked out and bound herself, then both FearGirls are shock-prod KO’d, and finally FearGirl Nixi is bound, face-down, on a padded, saw-horse-like contraption and manually forced to climax.

FearGirl ANOMIE is KO’d and bound by FearGirl NIXI, KO’s and binds FearGirl NIXI, is shock-prod-KO’d, then spread and bound on a table and forced to orgasm with focused sound waves on her crotch. Emphasis on Knock Outs and Bound Forced Pleasure…

FearGirl wakes in an unfinished, seemingly abandoned sector of The Panopticon. There she meets HALO, who seems to know her – though FearGirl, of course, has no memory of her. HALO tells her they are deep within the lair of SPIDER – half predator, half art project, a cyborg of superior strength, mobility and stealth, one of the many ‘experiments’ that stalk the labyrinth – and that they must find their way out together.

FearGirl wakens, bound in chain, in what reveals itself to be a dark, hazy chamber. And things just get worse, as “O” appears, excited to try out her latest set of toys: a Pain Ray, a Shock Prod, and a sybian-like bit of erotic technology called the Stimulator.

FearGirl Starli finds herself in a truly nightmarish cycle of encounters with the brutal Minotaur, each one ending in her violent demise. The emphasis is on pain here – a different experiment played out within the unforgiving Panopticon.